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From Publishers Weekly, October 13, 2001
THE
NIGHTINGALE'S SONG
Kathleen
Eschenburg.
HarperTorch,
6.99 (384 p)
ISBN
0-380-81569-9
Against the evocatively drawn
backdrop of Baltimore and Virginia ten years after the Civil War,
first-time author Eschenburg spins a gentle romance rich with emotion
and vivid detail. Haunted by his inadequacies as a father, Dr.
Gordon Kincaid, a hardened war veteran and widower from the South, is
determined to find a mother for his son, Gordy, and his recently
discovered illegitimate daughter, Clara. Gordon has his sights set
on a frivolous, high society miss, but when he meets Maggie Quinn,
Clara's Irish schoolteacher at St. Columba's orphanage, he begins to
believe in second chances. Maggie soon finds herself torn between
the safety of a future in the convent and the terrifying exhilaration of
her attraction to Gordon. At the same time, Maggie's socially
unacceptable Irish-Catholic heritage and Gordon's hardheaded search for
an instant mother threaten to tear the two apart. Brimming with
historical details, sensitive prose and a wealth of poignant scenes,
Eschenburg's love story easily escapes the sometimes confining
predictability of the romance genre and breathes a fuller life into it.
FORECAST: The novels
bland cover won't boost any sales, but strong word-of mouth will
motivate those who are tired of gorging on light romantic bon-bons to
seek out this stirring story.
From Compuserve Romance Reviews:
THE
NIGHTINGALE'S SONG
By Kathleen Eschenburg
Historical (Post-Civil War America)
November 2001
Harper Torch
ISBN: 0-380-81569-9
Once every generation or so, a sweeping saga of love, loss and glory
redeemed comes along that will be remembered long after its first
publication. Such a story is that of THE NIGHTINGALE'S SONG, the debut
novel of Kathleen Eschenburg.
Maggie Quinn has been fortunate enough and strong-willed enough to make
a life for herself in post-Civil War Baltimore, even as a poor Irish
immigrant. Orphaned at twelve on the voyage over, she was taken in by a
fisherman's family and befriended by a priest with close family ties.
She teaches and cares for orphans, especially conveying to them her deep
love of music.
Gordon Kincaid, wounded physically in the war and spiritually ever
since, comes to the orphanage seeking a lost treasure. It is soon
obvious to Maggie that her favorite orphan, Clare, is the daughter
Gordon didn't know he had until recently. He has come to take her home,
if he wins the approval of Mother Bernadette, the nun who runs the
orphanage and who nursed him back to life in the war.
Gordon believes his chances of winning Clare will improve if he can
provide a mother for the child. Whether this mother will be the society
beauty he squires around Baltimore, Clare's real mother or possibly the
woman who has loved her for years is but one thread in this layered
novel.
Maggie's quiet pride and determination to do what is best for Clare soon
draw Gordon's attention and admiration. When it is apparent he notices
heras a woman, Maggie draws back. She plans to become a nun. She is
immigrant Irish while Gordon Kincaid is aristocratic and rich. She is
Catholic while he is Protestant. As Maggie is told early on by another
Irish immigrant: "He's the landlord we left behind us in Ireland and the
slaveholder who shot my father in the Americans' war." They are far too
different to share anything.
Except that they do. Foremost is their concern for Clare. When they
realize that they are the ones who can make a family for the child they
both adore, the story is far from finished.
Because Maggie and Gordon have to learn not only how to live with each
other, they also have to contend with society's prejudices. Some of the
problems of the carpetbagging/Reconstruction era are brought to vivid
life as these two extraordinary people struggle to overcome the
obstacles thrown in their path by various factions.
The comparisons between the Ireland that Maggie was forced to leave
behind and the South which is only beginning to recover from the
devastation of war are emotionally enriching and passionately compelling
in the way they are encapsulated in the main characters.
In addition to the outside conflicts threatening them, Maggie and Gordon
also must contend with secrets Gordon has kept from her and with the
pain both have suffered, pain which makes both reluctant to give their
hearts although that is exactly what they need to do. While Maggie fears
making the same mistake that ensured her mother's doom, Gordon shies
from opening his heart.
Kathleen Eschenburg draws these finely crafted characters, ideas and
situations together to make a dazzling story that enchants with its
ability to touch a reader's heart. As Maggie herself says, "In Ireland
we have a saying. The things that cannot be explained are either
miracles or mysteries, and they both have to be taken on faith."
Take it on faith to discover the magic in THE NIGHTINGALE'S SONG.
-- Reviewed by Lynne Perednia
CompuServe Romance Reviews
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